I’m calling it Trill, after the wobbly notes of a bird’s call. I thought it suited both the design and the fabric, Wildwood by Elizabeth Olwen for Cloud 9. I used the collection with Cirrus Solids in Ocean, my favorite navy blue of the moment. I think one of my favorite things about this quilt is the secondary squiggle between the prints.
The design is actually made of just one block with different rotation and fabric placement. I’m writing a pattern for it this month and I’ll definitely keep you updated throughout the process. I can’t wait to see how someone else would interpret it– between the circles and pointed shapes and the background there are a lot of possibilities for change and movement.
There were two prints in the collection– one a vibrant coral, the other bright teal– that didn’t quite fall into the categories of blue or white-based print. So I made the coral the focal point and put Ocean in the center, framing it with teal in the binding.
Speaking of binding, I tried something new that I really love as an innovative way of labeling a quilt– embroidering the binding with the alphabet stitches on my Janome 6600. I learned it from my Instagram friend Shannon, aka @nerdcamp. (She makes the coolest clothes and quilts, by the way.)
The final size is 57″ x 69,” perfect for a couch throw. I love the drape that the quilting gives it, and it crinkled nicely after a wash. I’ll get to snuggle it after a little trip to Quilt Market, where it’s going to hang out with Elizabeth Olwen herself along with the rest of the fabulous Cloud 9 team.
Thank you so much for taking the time to visit.